So where exactly did this comic come from, and who created it? It's from here in the States, ca. 2010’s, and is a webcomic. The article was published as a comedic take on what the realities of partying can be; the comic itself is neither conservative or liberal, just a deriving take on a situation. It aims for a laugh at a very real event that can be all too serious.
This comic was created courtesy of Kris Wilson, a cartoonist for a popular series of comics called Cyanide and Happiness. Kris, of the webpage Explosm, is known for him outlandish and edgy cartoons. He is one of four members of Explosm which produce Cyanide and Happiness, that put out daily webcomics. It is presumed Kris lives in Washington state, although he has not disclosed his location specifically; he publishes online anonymously exclusively though Explosm, using this avatar:
The cartoon itself addresses the issue of overconsumption of alcohol, how partying can be fun at the time but have disastrous outcomes. Irony is involved greatly, because the characters go from cheering on their friend to drink to cheering on the doctor to save the friend. All in all, the cartoon doesn’t really take a stand, but it does show the hazards of drinking too much.
Design-wise, the cartoon is a two-frame piece. The conflict evolves from one frame to the next, being only two. This can be summed up to be similar to a cause-effect sense. While the cartoon is not visually exclusive, it draws heavily on the imagery. Word and images are both used here. The words are a commentary on what typically happens during the first picture, while the second is an ironic play on words on the effect of the first frame.
So what exactly is Kris showing in the comic? The artist uses the images of a beer funnel, commonly found at parties, then a stomach pump in the next one, for comedic affect. The drawings are purposely unrealistically cartoonish. It is primarily a human stereotype done simply on something like the program Paint. The artist does not draw on past or present ideas, he simply uses a modern event found at today’s parties. This mirror's the tone of most Cyanide and Happiness comics, keeping the cartoon is comedic in style. The word play of “chug chug chug!” turned “pump pump pump!” is rhetorical in the fact that it changes its tone very quickly, and then is left simply at that. This impacts the readers on how fast attitudes can change when something bad happens.
Found at http://www.explosm.net/comics/2507/
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